I listened to this song by Nina Simone yesterday: I wish knew how it would feel to be free.
My profoundly beautiful friend told me that this was getting her through a hard day or two in the office. I had heard it before, but as I listened to it alone a little later on I heard it as if for the first time, tears filling my eyes as the weight of the words washed over me through the melody’s indomitable rise and fall.
I imagined it must have been a spiritual, written during times of slavery. Some quick googling showed that it was actually written in the 60s, but that it indeed served as an anthem for the civil-rights movement. As I listened over and over (as I am prone to do when I latch onto a good thing..) I found it surprising just how much it moved me, how profoundly, well, spiritual, it was, how close it made me feel to the God I know and love in my core. Or not surprising at all, I guess. Songs, ‘dangerous songs’ as Walter Brueggemann calls them, borne from the furnace of the deepest suffering; songs that speak of a wild hope despite all that works to suppress it – no surprise at all, I guess, that flowers that blossom by the grace of God and the strength of the human-meets –Divine Spirit in the land marked by suffering are the most astoundingly beautiful.
I wish I knew how it would feel to be free.
I wish you could know what it means to be me; then you’d see and agree that every man should be free.
under the feathers 